Sunday, September 05, 2010
   
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The News

Inspirational characters are focus of Faith in Film

Over the past year, Butter Birkas grew tired of watching the misdeeds of financiers, chief executives and various masters of the universe play out across the small screen.

So when it came time to select films for the third annual Faith in Film series, Birkas said that she decided to counter all of the reprehensible characters people have been hearing about on the nightly news with a selection of characters who inspire people.

“I’m going to find some films that have characters in them that I can admire,” she remembered thinking. “They may be old films, but the subject is as relevant as anything you’ll ever see.”

The series’ season premiere will be Sunday, with the theme “Moral Fortitude: Characters Who Inspire Us.”

The films will be shown at Centenary United Methodist Church at 2:30 p.m. in the dining room. Screenings will continue every Sunday this month.

The series is free, but seating is limited and reservations are suggested. The first film will be High Noon, starring Gary Cooper. Made in 1952, it tells the story of Marshal Will Kane, who must defend his town and his honor alone.

In addition to High Noon, Birkas selected 12 Angry Men, Mr. Smith Goes to Washington and The Winslow Boy as the other films in the series.

Birkas, a documentary filmmaker and the former director of the RiverRun Film

Festival, said that in her first year of selecting films for the faith series, it was a challenge to find movies that were inclusive and could be shown to everyone from children to adults. All of the films have to be rated G or PG, she said.

That first year, she selected films that showed how people of faith conducted their lives.

Last year, the theme was “Children and War.” Birkas chose that topic, she said, because she was moved by the thought of how children were being affected by the wars that were on the news every night.

Barbara Fulp, the leader of Centenary’s music and arts ministry, said that the series dovetails perfectly with the ministry’s mission of bringing literature, art and music into the spiritual life of the church.

Last year’s series brought an average of 40 people to watch each film, she said.

“As important as it is for people who are members,” she said, “it’s equally important that it’s an outreach.”

Birkas said she looks forward to seeing how people feel about this year’s films.

She said she hopes that people will see it is important to do the honorable thing, even when that is not easy.

In selecting the films, she looked for strong characters in complex situations, she said. She said she hopes that viewers will see parallels to their own lives and times in the situations presented.

“I think cinema is one of those vehicles, where if it’s used in a good way,” she said, “it can get people to reconsider their ideas about things in a way that can be very profound.”

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Smoke & Mirrors


For to long, I lived my life behind a smoke screen hoping people would guess through the mist and take the time to find out who and what I was all about. The detriment of wearing the mask caused me to loose my identity and morph into someone others needed me to be. That process lead to broken relationships and severe pain. I’m here now and my only advice to the latter is simply this ~ Take OFF the mask ~ No More Smoke & Mirrors – Be Real.

 

In Spirituality, Every Moment Is Unique

 

In spirituality, decisions are made as if the present moment is the only moment there is. When I make a decision on my spiritual path to resolve a situation I face, I have to make it as if it were the last moment of my life. This is because resolving problems quickly and correctly leads to the next step in my spiritual path.

In the material realm, we are connected to this world and our egoism stretches out events and situations, thus creating the sense of time. In spirituality, however, each moment exists on its own and is unique.

That is why the screen of a Partzuf, as a result of the collision of the Inner and Outer Lights, weakens the Light and decides to reject it. When the screen rejects the Light, the Partzuf doesn’t know what will happen to it and which new condition it is approaching. The only thing the Partzuf knows is that it cannot remain in this situation for more than one moment, because it has lost its bond with the Creator. The Partzuf cannot remain in this new situation and it stops thinking of what will happen in the next moment. This makes its decisions and state in the spiritual world genuine.

Once in a while we see a video of September 11th and we are reminded of how people jumped off the hundredth floor of a burning skyscraper. How can a person do that if he knows that he will inevitably fall to his death? The moment he jumps, he’s thinking only about escaping the fire. The next moment that he will spend in the air will be better than being burned in the fire, so he jumps! What will happen to him a moment later is not important for him.

   

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